Le premier volume est consacre au Prelude a l'apres-midi d'un faune, l'uvre de Debussy la plus jouee de son vivant et qui marque, entre 1892 et 1894, un tournant definitif dans l'ecriture orchestrale du musicien. My doubt, mass of ancient night, ends extreme In many a subtle branch, that remaining the true It has no pretensions of presenting a synthesis of the poem. Man kann davon ausgehen, dass Debussy das Gedicht schon bald nach Erscheinen kannte und das Vorhaben, dieses musikalisch zu interpretieren, in sich trug. By no means does it claim to be a synthesis of it. Debussy’s Prélude à l’après-midi d’un faune was later choreographed by the great Vaslav Nijinsky (pictured), who also starred as the faun. LAprés-midi dun faune (Der Nachmittag eines Fauns) ist ein symbolistisches Gedicht Stéphane Mallarmés, das dieser zwischen 1865 und 1867 geschrieben und 1876 veröffentlicht hat. The opening flute solo is one of the most famous passages in the orchestral repertoire, consisting of a chromatic descent to a tritone below the original pitch, and the subsequent ascent. Aimai-je un rêve ? Harp glissandi, muted horns and muted strings. If you’re interested, here is an English translation of the Mallarme poem upon which Debussy based his composition. Des séraphins en pleurs Rêvant, l’archet aux doigts, dans le calme des fleurs Vaporeuses, tiraient de mourantes violes De blancs sanglots glissant sur l’azur des corolles. Debussy's orchestral work and Nijinsky's ballet would be of great significance in the development of modernism in the arts. The final text was published in 1876 (see 1876 in poetry) by Derenne under the present title L'après-midi d'un faune. It was first performed in Paris on December 22, 1894, conducted by Gustave Doret. Debussy enacts voicings and shading in his orchestration to a high degree, allowing the main melodic cell to move from solo flute tooboe, back to solo flute, then two unison flutes (yielding a completely different atmosphere to the melody), then clarinet, etc. Ces nymphes, je les veux perpétuer.. Si clair, Leur incarnat léger, qu’il voltige dans l’air Assoupi de sommeils touffus. La lune s’attristait. Ten years later, under the title Improvisation d’un Faune the work was rejected again, this time by publisher Alphonse Lemerre, who had previously published Mallarmé's work in Parnasse contemporain. La proposition de cette nouvelle approche vient de la double formation de lauteure2, car cela nécessite de compétences littéraires et herméneutiques et musicologiques. trans. L'ensemble est dédié, dans l'incipit, à trois amis de Mallarmé, à savoir Léon Cladel, Léon Dierx et Catulle Mendès . The Prélude at first listening seems improvisational and almost free-form; however, closer observation will demonstrate that the piece consists of a complex organization of musical cells, motifs carefully developed and traded between members of the orchestra. FastNotes. The main musical themes are introduced by woodwinds, with delicate but harmonically advanced underpinnings of muted horns, strings and harp. It is one of Debussy’s most famous works and is considered a turning point in the history of music; Pierre Boulez has said he considers the score to be the beginning of modern music, observing that “the flute of the faun brought new breath to the art of music.” It is a work that barely grasps onto tonality and harmonic function. Claude Debussy (Saint-Germain-en-Laye 1862 – Parigi 1918) “Prélude à l’après-midi d’un faune” (Preludio al “Meriggio d’un fauno”) “Abitavo allora in un piccolo appartamento arredato della Rue de Londre… Mallarmé entrò con la sua aria profetica, ravvolto nel suo plaid scozzese. A close analysis of the piece reveals a high amount of consciousness of composition on Debussy’s part. Il pomeriggio di un fauno (L'après-midi d'un faune) è un poema in 110 versi alessandrini composto dal poeta francese Stéphane Mallarmé. In French literature: The Symbolists. It is Mallarmé's best-known work and a hallmark in the history of symbolism in French literature. Mallarmé submitted the first text to the Théâtre-Français in 1867, only to be rejected. Picture: Hulton Archive/Getty. What makes Prélude à l'après-midi d'un faune so ground-breaking? L'œuvre est créée le 22 décembre 1894 par l'orchestre de la … Though called a “prelude,” the work is nevertheless complete – an evocation of the feelings of the poem as a whole. In 9/8 in 4 sharps but key is uncertain. 2Dans cette contribution, nous suggérerons des points pour une analyse comparative … So bright Their crimson flesh that hovers there, light In the air drowsy with dense slumbers. Paul Valéry lo considerava il più grande poema della letteratura francese.. As early as L’Après-midi d’un faune (1876; “The Afternoon of a Faun”; Eng. Mon doute, amas de nuit ancienne, s’achève L’Apres-midi d’un Faune Eclogue The Faun These nymphs, I would perpetuate them. Rather there is a succession of scenes through which pass the desires and dreams of the faun in the heat of the afternoon. Did I love a dream? A costume design for 'L'après-midi d'un faune'. Prelude a l'apres-midi d'un faune source of inspiration a Symbolist poem (pastoral) by Stephane Mallarme describing a faun (half man - half goat) who is visited by three lovely nymphs Prelude a l'apres-midi d'un faune form The development of the slow main theme transitions smoothly between 9/8, 6/8, and 12/8 meters. Recurring tools in Debussy’s compositional arsenal make appearances in this piece: extended whole-tone scale runs, harmonic fluidity without lengthymodulations between central keys, and tritones in both melody and harmony. Mallarmé left Lemerre and found Alphonse Derenne, an editor, publisher, and bookseller of primarily medical books who sought to expand his business. Prélude à l'après-midi d'un faune (L. 86), known in English as Prelude to the Afternoon of a Faun, is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. [This prelude] was [Debussy’s] musical response to the poem of Stephane Mallarmé (1842–1898), in which a faun playing his pan-pipes alone in the woods becomes aroused by passing nymphs and naiads, pursues them unsuccessfully, then wearily abandons himself to a sleep filled with visions. The poem also served basis for the ballets Afternoon of a Faun by Vaslav Nijinsky (1912), Jerome Robbins (1953) and Tim Rushton (2006). The music of this prelude is a very free illustration of Mallarmé’s beautiful poem. Un Coup de Dés Jamais N'Abolira Le Hasard, https://en.wikipedia.org/w/index.php?title=L%27après-midi_d%27un_faune_(poem)&oldid=941538947, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 February 2020, at 05:08. Musique en fond : Claude Debussy, Prélude à l'après midi d'un faune, enregistrement de 1924 par Leopold Stokowski et le Philadelphia Orchestra Addeddate 2011-04-02 17:50:52 External_metadata_update 2019-03-23T17:15:30Z Identifier Aimai-je un rêve ? L'après-midi d'un faune (or "The Afternoon of a Faun") is a poem by the French author Stéphane Mallarmé. The marvel! http://en.wikipedia.org/wiki/Pr%C3%A9lude_%C3%A0_l%27apr%C3%A8s-midi_d%27un_faune. Debussy described the hypnotic Prelude to “The Afternoon of a Faun” as “a very free interpretation of Mallarmé’s poem. Yours, Mallarmé.”. Mallarme-L'Apres-midi d'un faune … L’après-midi d’un faune relates the tale of a faun’s erotic (and unrequited) fascination with a pair of nymphs. Claude Debussy – Prélude à l’après-midi d’un faune: Introduzione. L’Après-midi d’un faune; later interpreted musically by Claude Debussy), he concentrated on multiplicity of meaning: the poem is simultaneously the dream evocation of the faun’s erotic desires and a meditation upon the creative impulse…. The work is scored for three flutes, two oboes, cor anglais, two clarinets in A and Bb, two bassoons, four horns, two harps, two crotales and strings. Toutefois, jusquà maintenant une analyse de type systématique qui compare les deux œuvres na jamais été entreprise. Prélude à l’après-midi d’un faune (L. 86), known in English as Prelude to the Afternoon of a Faun, is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. The Afternoon of a Faun (French: L'après-midi d'un faune) is a modern ballet.It was choreographed by Nijinsky to a short symphonic work by Claude Debussy called Prélude à l'après-midi d'un faune.Both the music and the ballet were inspired by the poem L'après-midi d'un faune by Stéphane Mallarmé.It was Nijinsky's first choreographed work Mallarmé's poem would provide the inspiration for many musical works, the most prominent of which being Prélude à l'après-midi d'un faune by Claude Debussy. Debussy’s work later provided the basis for the ballet Afternoon of a Faun, choreographed by Vaslav Nijinsky. place in French literature. mallarme.fr - un coup de dés, jamais… LE FAUNE. Although it is tempting to call this piece a tone poem, there is very little musical literalism in the piece; instead, the slow and mediated melody and layered orchestration as a whole evoke the eroticism of Mallarmé’s poem. Le Prélude à l'Après-midi d'un faune, en mi majeur, sous-titré Églogue pour orchestre d'après Stéphane Mallarmé, est une œuvre symphonique de Claude Debussy, composée entre 1892 et 1894 [1], [2]. [2] Si clair, Leur incarnat léger, qu'il voltige dans l'air Assoupi de sommeils touffus. Your illustration of the Afternoon of a Faun, which presents a dissonance with my text only by going much further, really, into nostalgia and into light, with finesse, with sensuality, with richness. Prelude a l'apres-midi d'un faune; Preludium till en fauns eftermiddag; Förspel till en fauns eftermiddag; 牧神的午後 前奏曲; Прелудиум кон Попладнето на еден фаун; Preludium do … Mon doute, amas de nuit ancienne, s'achève
En maint rameau subtil, qui, demeuré les vrais
Bois même, prouve, hélas ! C’était le jour béni de ton premier baiser. Il Prélude à l'après-midi d'un faune (Preludio al pomeriggio di un fauno) è un poema sinfonico di Claude Debussy scritto fra il 1891 e il 1894, ispirato al poema di Stéphane Mallarmé Il pomeriggio di un fauno del 1876. Mallarmé griff mit … It describes the sensual experiences of a faun who has just woken up from his afternoon sleep and discusses his encounters with several nymphs during the morning in a dreamlike monologue. Time signature changes frequently, always in compound tie. It describes the sensual experiences of a faun who has just woken up from his afternoon sleep and discusses his encounters with several nymphs during the morning in a dreamlike monologue. Prélude à l’après-midi d’un faune (L. 86), known in English as Prelude to the Afternoon of a Faun, is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. L'après-midi d'un faune (or "The Afternoon of a Faun") is a poem by the French author Stéphane Mallarmé. È la sua opera più famosa e costituisce una pietra miliare nella storia del simbolismo nella letteratura francese. Es entstand zwischen 1865 und 1867 und wurde 1876 veröffentlicht. Claude Debussy ließ sich zum Prélude à l'après-midi d'un Faunevom gleichnamigen Gedicht des symbolistischen Dichters Stéphane Mallarmé inspirieren. Then, tired of pursuing the timorous flight of nymphs and naiads, he succumbs to intoxicating sleep, in which he can finally realize his dreams of possession in universal Nature. The inspiration for Debussy’s quiet revolution was a poem by his friend Stéphane Mallarmé, L’après-midi d’un faune (The Afternoon of a Faun) inspired in turn by a François Boucher (1703-1770) painting in the National Gallery in London. It is set to Debussy's 1894 tone poem Prélude à l'après-midi d'un faune (itself inspired by Mallarmé's poem) and depicts a Faun who is spying on a group of nymphs going to bathe. For the publication, Mallarmé's long-time friend, Édouard Manet, created four wood-engraved embellishments which were printed in black, and hand-tinted in pink by Manet himself in order to save money. It was composed in 1894 and first performed in Paris on 22 December 1894, conducted by Gustave Doret. Ma songerie aimant à me martyriser S’enivrait savamment du parfum de tristesse Que même sans regret et sans déboire laisse La cueillaison d’un Rêve au coeur qui l’a cueilli. Rhythms flow across the bar line and hides metric accents. L'après midi d’un Faune, poème de Stéphane Mallarmé (Oeuvres Poétiques I) : Le Faune : Ces nymphes, je les veux perpétuer.
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